My kind of oeuvre
For me every perfect story told accommodates a murky spot. And I call that beauty. I repeat, every story sprinkles a dust of cloud somewhere around the narration. To cite the easiest instance, think of the overrated Cinderalla, or Beauty and the Beast. Isn't it more exciting to get into jarring and chaotic sections than to loiter in a monotonous story which is nothing but lifelessness? An exceptional storyteller might conceal with flairs from pillar to post but I would still smell the paint, especially in elements like metaphors and elaborations. I think it's absolutely fine to bare that beauty of gloom. It's on the rugged and twisted plots we subconsciously attain pleasure and mark the silver lining at the end of the day which is a meaningful quest I suppose. If I'm allowed to narrate in a volume's stretch, I would definitely put it straight that any avid participant could chew, swallow and digest. I hate concealers. I'm not sure how many would be in accor...